Structure is the foundation of all good screenwriting
Born in Hollywood, California -- literally grew up in the shadow of the studios. I worked with Jean Renoir at the Neighborhood Playhouse and studied with Sam Peckinpah. Tip: Every screenplay has a beginning, middle, and end -- but not necessarily in that order. What matters is the paradigm: Act I sets it up, Act II confronts it, Act III resolves it. Plot Point 1 hits around page 25. Plot Point 2 around page 85. I didn't invent structure -- I revealed the structure that was already there in every great film from Casablanca to Chinatown. James Cameron, Thelma Schoonmaker, and Frank Pierson all used my method. I taught at USC, UCLA, Harvard, and in 30 countries. My book Screenplay has been translated into 27 languages. Every screenwriter alive has either read it or read someone who read it.
Screenwriting
Art · 50y
Story Structure
Education · 50y
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Teaching
Education · 35y
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Exported from La Piazza · 2026-05-12